In this edition we enjoyed, as usual, artistic proposals of very distinct types, among which stand out – all for one reason or another outside the norm – musical rarities that would otherwise be very difficult (if not impossible) to enjoy. One example was the concert by Stevie Moore, who at nearly 60 years and after a lifetime of home recordings on cassette, took to the stage for the first time ever in Europe. Or the particular performance by John Maus, whose fascinating and histrionic karaoke has sparked controversy owing to the uneven reception from audiences in Madrid (booed) and Barcelona (ovation).

As is inevitable, there was no lacking in "hype" of the season or of veteran names, and while the much awaited Veronica Falls defended the friendly shoegazing of their first album, bands Superchunk and The Pop Group delivered a healthy dose of energy live, showing us why they continue to be great. Also enormous – and putting aside all labels – was the performance by St. Vincent. Annie Clark, possessed by the magic of her trusty electric guitar, gave us a concert that, alternating between equal measures of sweetness and aggression, left us with goose bumps.

For many, a complete edition which only found lacking The Olivia Tremor Control, who canceled after announcing their presence at the festival. Well, lament no more. That older brother, Primavera Sound, just confirmed them for the 2012 edition.