by Carey Zamarriego

June 1, 2010

The Gerspacher and Morel Dance Company debut its theatrical modern creation on manipulation, [A.36,5], this summer. Carey Zamarriego

Manipulation. The Government does it, regular people do it and even toy companies do it, sneakily using dolls to control the minds of young girls. Jeanne Morel, part of Gerspacher and Morel Dance Company, points out “dance is even manipulation – of the body.”

Teatre Auditori Sant Cugat

Plaza de Gabriel Ferrater, Barcelona, Catalonia

    Nadine Gerspacher and Jeanne Morel debut their theatrical modern dance creation on manipulation [A.36,5], this summer. The company’s first work, it was inspired by Aldous Huxley’s Brave New World, in which a society uses genetic manipulation to control its citizens. Nadine and Jeanne explore the idea of control by using the iconic Barbie doll. By incorporating Barbies (collected from members of the troupe and at markets like Encants) into the scenery, costuming and choreography of their work, they show the audience a startling transformation of a girl, as she goes from an innocent and carefree being, to a mischievous manipulator. Nadine and Jeanne act like first-time parents when talking about the performance and new collective they formed bringing together artists with backgrounds in fashion design, music, professional dance and circus. The group will give a partial preview of [A.36,5] in Sant Cugat on June 11th, coinciding with the end-of-term performances for Varium, a professional dance school where Nadine teaches. After that, the full Barbie experience will be around to dazzle, shock and make audiences think about manipulation in a whole new light as part of Menorca’s dance festival on July 10th.

    by Carey Zamarriego

    June 1, 2010

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